The Pixies’ album, Beneath the Eyrie, released in 2019, is a refreshing return to form for the iconic alternative rock band. The album, their third since reuniting in 2004, features new bassist Paz Lenchantin, who brings a fresh perspective and energy to the band’s sound.

Beneath the Eyrie is a meticulously crafted album, featuring the band’s signature blend of distorted guitar riffs, pounding drum beats, and off-kilter vocals. The album is marked by a darker, more brooding atmosphere than some of the band’s previous work, with themes of mortality and supernatural imagery woven throughout.

The album opens with the haunting and atmospheric “In the Arms of Mrs. Mark of Cain,” setting the tone for what is to come. Lenchantin’s basslines, often at the forefront of the mix, are a particular highlight, adding depth and texture to the band’s sound.

Standout tracks include “On Graveyard Hill,” a driving rocker that showcases the band’s signature energy, and “St. Nazaire,” a moody, atmospheric track that builds to an explosive chorus. “Catfish Kate” is a playful, catchy track that features some of the band’s most memorable hooks.

Beneath the Eyrie is also notable for its strong sense of cohesion and pacing. The album flows smoothly from track to track, with each song building on the one before it. The production is top-notch, with a clear and dynamic sound that highlights the band’s raw power and energy.

Overall, Beneath the Eyrie is a welcome addition to the Pixies’ canon, showcasing the band’s continued relevance and creative vitality. While it may not reach the same heights as their classic albums, it is a strong and satisfying album in its own right, and a testament to the band’s enduring appeal.

The Pixies’ album, Beneath the Eyrie, was produced by Tom Dalgety. Dalgety is a British producer and mixer who has worked with a variety of artists across different genres, including Royal Blood, Ghost, and Opeth.